The father of the guitar power chord has passed away at age 76. I read it in the paper this morning, and immediately put on my 20+ year old vinyl copy of "Bullshot". Music fans....go see your heroes while they are still alive! RIP. http://www.cnn.com/2005/SHOWBIZ/Music/11/21/obit.wray.ap/index.html Guitar master Link Wray dies at 76 Tuesday, November 22, 2005; Posted: 2:25 a.m. EST (07:25 GMT) COPENHAGEN, Denmark (AP) -- Guitar master Link Wray, the father of the power chord in rock 'n' roll who inspired legends such as Bruce Springsteen, David Bowie and Pete Townshend, has died. Wray, 76, died at his home in Copenhagen November 5, a statement from his wife and son on his Web site said. No cause of death was given, but his family said his heart was "getting tired." He was buried quietly after a service at Copenhagen's Christian Church November 18. "While playing his guitar he often told the audience, 'God is playing my guitar, I am with God when I play,"' his wife, Olive, and son, Oliver Christian, wrote. "We saw you go with God, you were smiling." Wray developed a style considered the blueprint for heavy metal and punk music. Frequently seen playing in his trademark leather jacket, he is best known for his 1958 instrumental "Rumble," 1959 "Rawhide" and 1963's "Jack the Ripper." His music has been featured in movies including "Pulp Fiction," "Independence Day" and "Desperado." Wray, who was three-quarters Shawnee Indian, is said to have inspired many other rock musicians, including Townshend of the Who, Bowie, Bob Dylan, Steve Van Zandt and Springsteen. All have been quoted as saying that Wray and "Rumble" inspired them to become musicians. "He is the king; if it hadn't been for Link Wray and 'Rumble,' I would have never picked up a guitar,"' Townshend wrote on one of Wray's albums. Neil Young once said: "If I could go back in time and see any band, it would be Link Wray and the Raymen." The power chord -- a thundering sound created by playing fifths (two notes five notes apart, often with the lower note doubled an octave above) -- became a favorite among rock players. Wray claimed because he was too slow to be a whiz on the guitar, he had to invent sounds. When recording "Rumble," he created the fuzz tone by punching holes in his amplifiers to produce a dark, grumbling sound. It took off instantly, but it was banned by some deejays in big cities for seeming to suggest teen violence. "I was looking for something that Chet Atkins wasn't doing, that all the jazz kings wasn't doing, that all the country pickers wasn't doing. I was looking for my own sound," Wray told The Associated Press in 2002. He was born Frederick Lincoln Wray Jr. in 1929 in Dunn, North Carolina. His two brothers, Vernon and Doug, were also musicians. The three became a country hit as "Lucky Wray and the Palomino Ranch Hands." Later, after "Rumble," they became "Link Wray and the Raymen," or Wraymen, as it was sometimes spelled. Later, the brothers' relationship soured after a dispute about the rights to "Rumble." In 1978, he moved to Denmark and married Olive Julie Povlsen. They raised their son in a three-story house on an island where Hans Christian Andersen once lived. Though he went out of style in the '60s, he was rediscovered by later generations. He toured the United States and Canada since the mid-1990s, playing 40 shows this year. In 2002, Guitar World magazine elected Wray one of the 100 greatest guitarists of all time.
http://bbs.clutchfans.net/showthread.php?t=104835 ...but we'll forgive you though, since you posted a link to an article. Now, I'm not music expert, but I always thought power cords were jeered by most hardcore guitarists, especially blues and jazz musicians...a shortcut that was used by people that couldn't play the guitar the correct way. ...anyways, anybody that got two threads dedicated to him must have been a great guy...
Beat me by THIS much! You might be right about some blues and jazz guys dissin' power chords, probably because they are never used in traditional blues and jazz music. I definitely use power chords when I play with my Texas rock band but not with the blues band. I don't think badly about power chords at all. Now, sampling....that's another story!
RM Tex arrives at his blues band rehearsal, a little more late than usual. As he walks in, he notices that his bandmates have a dour look on their faces. RM Tex: Hey guys! Damn, who pissed in your coffee this morning? I know it's a blues band, but still...anyways, I have a few ideas for tonight's show. I thought we'd open with a couple of Stevie Ray Vaughn tunes, then a little Muddy Wat....what?!?! Drummer: We know, man... RM Tex: Know about what? Bassist: Wipe that stupid smile off your face! We know all about what you do on Fridays! RM Tex: Ummm...I uh...I don't know what your talking about... Drummer: Quit it, man! Just quit it! Now, we want to know the truth, right here and right now...have you been playing power chords behind our backs? RM Tex: Come on, guys, now you know I would never... Bassist: LIES!! All lies!! RM Tex's rhythm guitarist walks up to him and grabs his bag from him... RM Tex: Hey! Give that back! You have no right to go through there! Rhythm guitarist: Well well, lookey at what we've got here. I found it, guys! Proof! The bassist looks through the sheet music. Bassist: Oh my god...Green Day, Lit, Metallica, Three Doors Down....NICKLEBACK!! YOU'RE PLAYING F*CK*NG NICKLEBACK!?!?! RM Tex: Look guys, I can explain... Rhythm guitarist: Explain?!?! There's nothing here to explain! Look man, you've already been poisoned enough. We can't have anybody hanging around us that's going to be playing power chords behind our backs... RM Tex: Come on, guys! You're blowing this WAY out of proportion! Drummer: Look man, this is about principle...just.....just leave, alright. Don't make this harder than it is.... Distraught, RM Tex walks out of the room with his head hanging...but a month later, his rock band is discovered by a record label exec, who called the band's cover of Longview at the bar "Awe Inspiring". He and his rock band instantly sign a three album deal, and never play more than three chords for the rest of their careers as they go on to make millions of dollars... The End
Wow! I think I just got very "not depressed" from reading that! A-Train....I hear Hollywood calling you!
hopefully he gets a rolling stone cover in the next issue (but he probably wont). saw him at the continental club in austin a few years ago.