It's definitely a different take from the first two. Not as heavy as the third, but more held back than the first two. If you liked "Cornerstone" from Humbug then you'll like Suck It and See
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Own a lot of them; was lucky and fortunate enough to know people who burned copies of albums on hard drives/jump drives and sent to me in the mail on the ones that I didn't own.
I realized after I gave you that recommendation (Timothy Pure - Blood of the Berry), that you might have a little problem finding it. Then I thought that if you used Rhapsody you might have easy access. Good or bad, half of the music I listen to never gets mentioned in this thread. Someday it might be thread worthy to discuss where we all find our music.
No worries, No Worries. Seriously, that thread idea might not be a bad one. I am really big into the "if you like this artist, then you would like this one" etc. Allmusic and amazon along with last.fm are the places that I normally look for new stuff. Also some people on this board have turned me onto specific genres of music whether it has been prog-rock, indie rock, post rock, shoegazing, experimental, etc. And this hasn't been limited to genres, either - sometimes they have helped me get interested in specific artists, too.
WARNING: Do not listen to the first song while driving. It might make you get grimy, mad-dog someone, and next thing you know you are in the midst of a fight. Good to see E-40 bringing back the MOB music. <iframe width="425" height="349" src="http://www.youtube.com/embed/om0gcM-YExI" frameborder="0" allowfullscreen></iframe> This is just a dope song with E-40. Can't go wrong with E-40 and Bun B. <iframe width="425" height="349" src="http://www.youtube.com/embed/O1YymUY8Qb0" frameborder="0" allowfullscreen></iframe> <iframe width="560" height="349" src="http://www.youtube.com/embed/ug29nISN9cs" frameborder="0" allowfullscreen></iframe> <iframe width="425" height="349" src="http://www.youtube.com/embed/W3iYKdoKYp8" frameborder="0" allowfullscreen></iframe> <iframe width="425" height="349" src="http://www.youtube.com/embed/qE7eag4EVgM" frameborder="0" allowfullscreen></iframe>
Listenin to Masta Ace and Big Daddy Kane right now, good ol' times. <iframe width="425" height="349" src="http://www.youtube.com/embed/M4Bx7R0LKx0" frameborder="0" allowfullscreen></iframe> <iframe width="425" height="349" src="http://www.youtube.com/embed/MB0n0WxoyaU" frameborder="0" allowfullscreen></iframe>
The All-American Rejects -- The All-American Rejects The All-American Rejects -- Move Along The All-American Rejects -- When the World Comes Down
"I bought this talisman.. made from a lion's skin.." <iframe width="425" height="349" src="http://www.youtube.com/embed/iGY5pqANpZs" frameborder="0" allowfullscreen></iframe>
Crosby, Stills and Nash- got to meet Graham Nash last night at a photo exhibit at a local gallery- very interesting talk he gave about CSN, John Lennon, others. The art exhibit was over 100 photographs of rock and roll, including Neil Young, Jimi Hendrix, The Doors, Elvis, Stones, etc. I have a picture- but I have a question- how does one insert a photo from their hard drive into a post on this board? Let me know- someone- anyone- thanks!!! The article: http://lubbockonline.com/entertainm...close-flame-during-lubbock-visit#.ThtZVoJEOi8 With a life-size bronze statue of the late Buddy Holly overseeing the Buddy Holly Center from just across Crickets Avenue, singer-songwriter and recording artist Graham Nash kept the spirit of Holly alive during his discussion of both photography and music Sunday night. The official reason for Nash’s visit was a discussion about “Taking Aim: Unforgettable Rock ’n’ Roll Photographs Selected by Graham Nash,” the exhibit continuing through Sept. 11 at the center. Trying to pin Nash down to a single topic, however, remains almost impossible. One might as well set aside the fact that his 70th birthday is seven months away. At an age when some battle memory problems, Nash is invested in no less than 10 recording projects and has no problem whatsoever remembering specific dates during his career. More than once, however, Holly jumps to the forefront — whether Nash recalls weeping at age 17 with friend Allan Clarke at the news of Holly’s death or, almost 30 years later, taking advantage of technology to harmonize with his hero. Nash happened to be friends with the producer of Francis Ford Coppola’s 1986 film “Peggy Sue Got Married,” and that producer received one of the late Holly’s New York recordings of the title song, courtesy of widow Maria Elena Holly. Almost immediately, Nash wanted “to sing with Buddy.” He envisioned adding Paul McCartney on bass, George Harrison on guitar, and more to that recording. Politics, he said, kept that from happening. Not many years later, though, Nash took that same two-track recording of Holly and used modern multi-track capabilities to add drums and his own vocals. “And I got to sing with Buddy Holly,” he said to more than 100 supporters seated in a gallery at the Buddy Holly Center, earning huge applause. The bond between Nash and Holly remains strong. In fact, Nash scheduled time Sunday morning to visit the grave site of Charles Hardin “Buddy” Holly at City of Lubbock Cemetery. Hours later, he mentioned that he always expects to find a more elaborate grave. The simplicity, however, touches him, and Nash said, “I’ve been in Lubbock two times. The first time, I left a guitar pick at Buddy’s grave. This time, I left my heart. It really affected me emotionally.” Nash’s Sunday night “gallery talk” at the Buddy Holly Center was open only to museum members, and a great many Nash fans were still buying $25 memberships upon arrival. The event began 20 minutes late. The center’s curator, Jacqueline Bober, seated next to Nash, engaged the artist in conversation for 15 minutes and then opened the floor to questions. Every question — and subjects were all over the map — seemed to end with an engaging story from Nash. Indeed, Nash, a two-time member of the Rock ’N’ Roll Hall of Fame with the Hollies and Crosby, Stills & Nash, never dodged a question. He was accommodating all weekend to fans’ requests, even after sitting in with local band Hat Trick at La Diosa Cellars on Saturday night. After singing for more than 20 minutes with Hat Trick front men Mike Pritchard and Mark Wallney, he knew others would want photographs, autographs or conversation. “People, as a rule, want to get close to the flame,” said Nash. He and his friends were no different. Nash even recalled a night in 1960 when he and Clarke stayed outside a hotel in England, hoping to meet Don and Phil Everly. “And we did meet them,” said Nash. “And they didn’t just give an autograph and rush off. They stayed and talked about music with us.” That’s why Nash now says that his job “is not over until my head hits the pillow.” By 8:30 p.m. Sunday, he was performing again, this time with the Lubbock Texas Rhythm Machine in the Buddy Holly Center’s courtyard. Some stories are worth repeating, especially Nash explaining his introduction to oversized printing with an Iris Graphics inkjet printer and, before that, his introduction to collecting fine photography. The first photograph he purchased was Diane Arbus’ “Child with Toy Hand Grenade in Central Park, NYC 1962.” It would later sell for more than $400,000, but the story Nash told Sunday was about the night years later when he met a strange man who turned out to be the boy in that photograph. Nash spoke about Cass Elliot, of the Mamas & The Papas, introducing him to David Crosby and Stephen Stills ... how Crosby taught him that he did not have to put up with non-musical questions from the nosy British press ... and that what he remembers most about Woodstock is being high, almost dying in the helicopter delivering Crosby, Stills & Nash backstage and how so few knew that Woodstock marked only the second time that the trio had performed live. He also shared that John Lennon always would keep people he met “at arm’s length until he trusted you.” Most of all, Nash seems proudest of the harmonies created through the years by Crosby, Stills & Nash. “To me,” he said, speaking of the trio’s first time to sing together, “it was a golden sound, and I wanted it. My soul needed it. And I knew, then, that we would perform together for many years.” He resigned from the Hollies in England and, two days later in Los Angeles, he was singing with Crosby and Stills. That is one reason why Nash wanted to record so many of their early concerts, and why he now is preserving early concerts for old and new generations alike. Look for a three-CD set of music from the 1974 CS&N tour. It’s just one of Nash’s many projects. He said, “And I know that I have to do it. David and Stephen don’t have the patience. They’re space cases. “They know I can make it happen.”
The new Incubus album. Not impressed at all. I remember when these guys used to be entertaining to listen to.
Cool stuff from an original in every sense of the word artist. Valerie June <iframe width="480" height="390" src="http://www.youtube.com/embed/M5BTcYImuB4" frameborder="0" allowfullscreen></iframe>
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