Dumbest: Smoking (obviously) Super baggy pants that you have to use a hand to hold up. Spoiler Best: Mini-skirt: Spoiler Thong: Spoiler
I agree baggy pants are the worst but I would put mesh shirts on guys up there. Spoiler I have a mixed opinion about the style of girls exposing the top of their thongs. Sometimes it looks hot many times it just looks sleazy.
Let's be honest: it ALWAYS looks sleazy, it's just that sleazy fits some girls better than others. Here's a general guide to the whale tail: YES Spoiler NO Spoiler
Since you did say ever.... [rquoter] Diorama wigs (1750-60) Hair fad of the court of Louis XVI inspired by Madame de Pompadour, who was fond of dressing her hair in unusual ways. Hair was draped over a frame stuffed with cotton wool or straw and cemented with a paste that hardened, and the hair was powdered and decorated with pearls and flowers. The fad rapidly got out of hand. Frames grew as high as three feet tall, and the decorations became elaborate and then pictoral. Hairdos had waterfalls, cupids, and scenes from novels. Naval battles, complete with ships and smoke, were waged on top of women's heads, and one widow, overcome with mourning for her dead husband, had his tombstone erected in her hair. Died out with the advent of the French Revolution and the resultant shortage of heads to put wigs on. [/rquoter] source followed by: [rquoter] à la victime During the later years of the French Revolution (1789–99) at the end of the eighteenth century, many fashionable young people of the upper and middle classes adopted a style called à la victime, or “like the victim.” This fashion imitated the look of the thousands of people who were executed by the government during the bloodiest period of the revolution. Sporting scarlet ribbons to symbolize the blood of the dead, and cutting their hair short the way the executioners cut their victims’ hair, these young people celebrated the fall of the old government while cheering themselves through a horrifying period in history. The revolution had brought an end to the excessively ornate fashions of the early to mid-1700s. Gone were the tall powdered wigs and hairdos and brilliant jewelry. Fashionable men and women cut their hair short and ragged, high on their neck in the back with curls falling over their foreheads in the front. This à la victime cut imitated the way the executioner sheared off the hair of those who approached the guillotine, so that the blade could cut cleanly through the neck. Women’s gowns became simple loose dresses, like the nightgowns and underclothes worn by those who were herded from prison cells into carts bound for the public square and death. Red ribbons became stylish, worn around the neck to indicate the bloodline where the head was cut, or wrapped in an “X” across the breasts and around the arms to represent flowing blood. Both women and men wore small reproductions of the guillotine as jewelry. Ladies’ hats were designed to look like the Bastille, a prison that had symbolized the cruelty of the old government. For supporters of the new government, these fashions symbolized the demise of the oppressive old rulers. Though fashion à la victime was mainly for those who wanted to show support for the new government, there were also bals à la victime, or “dances of the victim.” These were large parties to which only those whose relatives had been guillotined were invited. Guests wore black neckbands and armbands and danced together to mourn their dead by celebrating life. [/rquoter] source
