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[City Journal] A Monument to Self-Importance: Architecture as a means of memorializing the architect

Discussion in 'BBS Hangout: Debate & Discussion' started by Os Trigonum, Mar 16, 2021.

  1. Os Trigonum

    Os Trigonum Member
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    "A Monument to Self-Importance":

    https://www.city-journal.org/lou-ruvo-center-for-brain-health-a-monument-to-self-importance

    A Monument to Self-Importance
    Architecture as a means of memorializing the architect
    Theodore Dalrymple
    March 16, 2021

    Arch2O-cleveland-clinic-lou-ruvo-center-for-brain-health-frank-gehry-14.jpg

    When a reader first drew my attention to the Lou Ruvo Center for Brain Health in Las Vegas, designed by Frank Gehry and completed in 2010, I felt it necessary before writing about it to ask whether it was real or a photoshopped spoof. Once or twice in my career, I have been taken in by spoofs and made to look foolish; I did not want that to happen again at my advanced age, as if I had learned nothing.

    But then another reader also drew my attention to it. No, it was real enough, alas—part shiny bent metal (much of it without any structural function), part rigid white box. The two disparate elements were apparently supposed to represent the right and left hemispheres of the brain. God preserve us from starchitects with ideas of symbol, which bear the same relationship to real ideas as kitsch does to art.

    A glance at this structure induces a state of anxiety, or, alternatively, a feeling of sea-sickness. Has there been an earthquake, or perhaps a terrorist attack, to twist the metal in this way and set windows at peculiar angles? Has it been designed by a brain-damaged patient with perceptual difficulties?

    Meantime, in the ancient city of Arles, in southern France, with its famous Roman amphitheater, Gehry has designed a building for an arts center that looks like a construction by the graphic artist M.C. Escher, but clad in aluminum, a material guaranteed to make any building look cheap no matter how expensive it was to build.

    No two buildings were ever more successful in drawing attention to their architect than these. That, it seems to me, is their principal function: the immortalization of Frank Gehry. Future generations—assuming that the buildings have not by then been improved by the only means possible, demolition, and assuming that their style has not in the meantime become a vernacular, which is most unlikely—will inevitably ask, “Who designed this?” Thus the name of Frank Gehry will live.

    But they will have asked the wrong question. The right, or at least more important, questions will be “Who allowed this?” and “Why did they allow it?”

    No simple or final answer to these questions will be possible. If, for example, we say that the patrons and those who granted permission to build believed that they would be displaying a lack of comprehension of architecture by objecting to certain architects’ designs, then the question becomes “Why did they have so little confidence in their own judgment as not to be able to resist the gimcrack arguments of the architects?” Or was their taste so debased that they actually liked what the architects offered them? Then a question about the collapse of the elites arises.

    In any case, we seem for the time being to be stuck with the gimcrack starchitects and their self-advertising projects.

    Theodore Dalrymple is a contributing editor of City Journal, a senior fellow at the Manhattan Institute, and the author of many books, including Out Into the Beautiful World and Grief and Other Stories.




     
  2. rocketsjudoka

    rocketsjudoka Member

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    I'm not going to bother asking whether you agree with this op-ed or what your thoughts are about it but since this is my field and work is slow will share my thoughts.

    I'm about as far from a starchitect can be and be a licensed architect. Most of my work has been the guy who has to figure out how to build the thing that looks like a construction from MC Escher clad in aluminum, how to get it through code and how to make sure it doesn't leak. In other words I'm the guy rolling his eyes at the "artists" during the design meeting.

    All of that said, of course designs like that are means of memorializaing the architect and other than the headaches trying to come up with details how to attach that shiny twisty metal cladding I have no problems with it. Following the debate on intellectual property designs that are compelling and unique have value and architects who have built a following have brands as much as successful painters or musicians. You hire a Frank Gehry because you want a Frank Gehry building. Any number of architects including myself could design a functional and practical building. If I was responding to the RFP for the Luo Ruvo Center I would most likely be emphasizing function and cost as I'm guessing there were many other architects who did too. They wanted Frank Gehry not because that is a name they want associated with it. Gehry is likely going to give a very interesting building and one that is distinctively known as Frank Gehry as much as if the hired Danny Elfman to write a musical score for their publicity material.

    From an aesthetic standpoint it's certainly free to criticize the design but whether people like it is a matter of taste just as many people don't like Danny Elfman's music. The building is known as a Gehry building and that gives it and the Brain Health institution a lot of catchet. As for as a monument to himself I don't see any problem with that. If people are willing to pay Frank Gehry for a design more power to Frank Gehry and I can only hope that some day people will want to pay me just for my name.
     
  3. ThatBoyNick

    ThatBoyNick Member

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    Can you explain to me like I'm 5 what the point of that article even is? Even with your response, I don't get it.
     
  4. heypartner

    heypartner Member

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    He’s critiquing the building design.
    Saying it stupid.
    And thereby asking what isit good for.
    And concluding it’s only function must be to memorialize the architect.
     
  5. ThatBoyNick

    ThatBoyNick Member

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    Right, but what is the reason for concern, is it public money being spent on the building? What are we supposed to debate and discuss in reference to a guy saying a building looks stupid and is a waste?
     
  6. heypartner

    heypartner Member

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    it’s a City Magazine doing a Arts & Culture piece critiquing a building

    it’s an art critique
     
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  7. Roc Paint

    Roc Paint Member

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    Someone needs to have another talk with oneself
     
  8. ThatBoyNick

    ThatBoyNick Member

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    What the **** is it doing here then lol, more of a hangout topic no? When Fatty posts food critiques the breh has the decency to post them in hangout.

    Os is tying this into cancel culture and Dr Suess, it's got to be in there somewhere...
     
  9. heypartner

    heypartner Member

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    btw: author didn’t say it was a waste. That was an editorial guess of yours. “Debating” a work of art, isn’t the right word. Unless by debating, you mean within the realm of critique of a given subject and genre.
     
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  10. ThatBoyNick

    ThatBoyNick Member

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    I'm interested in engaging this with you partner, but I'm not sure if doing so is playing into Os's trap...

    [​IMG]
     
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  11. heypartner

    heypartner Member

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    Maybe Critiquing Patronage of a snooty starchitect allows us to commiserate in mutual bashing of Art Gallery Circuit Elites

    or do all D&D threads require opposing arguments
     
  12. Os Trigonum

    Os Trigonum Member
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    we need a ruling from @tinman
     
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  13. ThatBoyNick

    ThatBoyNick Member

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    I just don't understand why an art piece is being operated by the Cleveland clinic.

    Edit - I read google and now understand it.

    I think the money would have been better off going to research instead of a fancy pants building.
     
    #13 ThatBoyNick, Mar 16, 2021
    Last edited: Mar 16, 2021
  14. heypartner

    heypartner Member

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    All buildings by starchitects tend to be operated by someone.

    and btw: My critique? ... I can’t look at that building in the shadowless white heat of Las Vegas and not help but notice the aluminum facade is providing some very much needed shade to the functional part of the clinic. Not my only take, but one that shouldn’t go unmentioned, as if the architect wouldn’t have thought of it.

    see ... that’s an art critique of a building
     
  15. Os Trigonum

    Os Trigonum Member
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  16. rocketsjudoka

    rocketsjudoka Member

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    Pretty much what Heypartner said. This is an design critique of a building but also a critique that clients are often more interested in the brand name of the architect who designed it than other considerations.

    There is a lot of truth to this and Frank Gehry is currently the biggest name in architecture and a cultural star himself. This isn't a new phenomenon though the "Starchitect" movement started about 80 years ago when architects like Frank Lloyd Wright, Le Corbusier and Mies van der Rohe got commissions mainly just do to their names. Even going back to the Renaissance artists / architects like Michealangelo were getting commissions just because they were a recognized name.
     
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